Karol Kuryluk (1910–1967) was a Polish journalist, editor, activist, politician and diplomat. In 2002 he was honored by Yad Vashem for saving Jews in the Holocaust.
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Karol Kuryluk was born on October 27, 1910 in Zbaraż (Zbarazh), a small town in Galicia, the eastern province of the Austro-Hungarian Empire (after World War I part of Poland, today in the Ukraine), and died in Budapest. He was the eldest son of Franciszek Kuryluk, a mason, and Łucja, née Pańczyszak. He had three brothers and four sisters.
In 1930, after finishing high school in his native town, Kuryluk received a small scholarship to study Polish language at the University of Lvov (in Polish Lwów, in German Lemberg, today Lviv, Ukraine), the former capital of the Austro-Hungarian province of Galicia and a multicultural metropolis (Poles, Jews, Ukrainians, Armenians, Byelorussians, Germans and Tatars). He was multilingual (Polish, Ukrainian, Russian and German), and during his studies he supported himself and helped his family back home by giving private lessons.
In 1931 Kuryluk met the writer and philanthropist Halina Górska and became involved in her social care project Akcja Błękitnych (Action of the Blue Knights), distributing food and clothing to slum children and helping to run shelters for homeless boys. At the University he protested against the “bench ghetto”, set up by the nationalists to separate Poles and Jews in the lecture halls, and he sided with Jewish and Ukrainian students who were harassed and beaten up by the Endecja gangs.
He married Miriam Kohany, a poet, writer and translator who during the war changed her name to Maria Grabowska and published under the name of Maria Kuryluk. They had two children, Ewa Kuryluk, an artist and writer, and Piotr Kuryluk, a translator.
In September 1967 Kuryluk suffered a heart attack. He flew to a book fair in Budapest against his doctor’s advice and died there on 9 December 1967.
Kuryluk is buried together with his wife and son at the Powązki Military Cemetery in a tomb designed by Ewa Kuryluk.
In 1933 Kuryluk founded the cultural periodical Sygnały (“Signals Magazine”) with the poet Tadeusz Hollender and became its editor-in-chief. He called upon the young literary talent in the city (Erwin Axer, Stanisław Jerzy Lec, Czesław Miłosz, Mirosław Żuławski), won over established writers from all over the country (Maria Dąbrowska, Bruno Schulz, Leopold Staff, Andrzej Strug, Julian Tuwim), and published translations of writings by foreign authors (Appolinaire, Henri Barbusse, André Malraux, Carl von Ossietzky, Bertrand Russell, Upton Sinclair, Paul Valéry). Special issues were dedicated to Jewish, Ukrainian and Belorussian culture, and to the city of Lwów.
“Signals” promoted the work of contemporary Polish artists ( Henryk Gotlib, Bruno Schulz, Zygmunt Waliszewski) and avant-garde photographers (Otto Hahn, Mieczysław Szczuka), and popularized modern European art (van Gogh, Gauguin, Archipenko, Max Ernst). A group of gifted graphic artists and caricaturists (K. Baraniecki, F. Kleinmann, Eryk Lipiński, Franciszek Parecki) collaborated with the magazine, which was famous for its biting humor and merciless derision of Hitler, Mussolini, Franco and the Polish anti-Semites, but also of Stalin. By mid-thirties “Signals” had become a leading periodical of the leftist Polish intelligentsia.
In 1938 an armed gang of ONR (National Radical Camp) raided the editorial office and Kuryluk just barely escaped being killed. Yet he managed to continue publishing “Signals”, in spite of financial hardship, ongoing censorship and vicious political attacks, until the outbreak of World War II. The last issue came out in August 1939. In September 1939, after the Soviet annexation of Lwów, Kuryluk deposited his “Signals” archive at the Ossolineum Library (now Stefanyk Library) where it has survived until now. Kuryluk was offered a job at “Czerwony Sztandar” (“Red Flag”), a Soviet-sponsored magazine, but soon lost it because of the poem “Today Stalin called me” by Tadeusz Hollender published in “Signals”.
In 1965 he became the director of the PWN Science Publisher, publishing the Big PWN Encyclopedia. When the volume with the entry on Nazi Camps was released, a storm broke out. The entry contained the factual information about the Nazi Camps being divided into concentration camps and extermination camp (for Jews). This division, however, was used as a pretext to attack the Encyclopedia editors. The Party’s nationalist faction insinuated that they were all Jews, accused them of “historical treachery that would rob the Polish people of their justified war suffering,” and organized street demonstrations to protest “the Zionist plot.”
From July 1941 to July 1944, during the Nazi occupation of Lwów, Kuryluk was part of the resistance on both sides of the political divide. As member of PPR (Polish Workers Party), he was responsible for its clandestine radio station and publishing activities. But he was also involved in the news service and publications of the AK (Home Army of the London government in exile).
In August 1944 Kuryluk moved from Lwów to Lublin and began to publish “Odrodzenie” (“The Renaissance”). The magazine was intended as a revival of “Signals” and the first issue commemorated writers and artists killed by the Nazis, publishing a long list of victims, including Bruno Schulz whom the underground tried to save. In 1945 he moved with his magazine to Cracow, and in 1947 to Warsaw. Among the contributors to “Odrodzenie” counted the future Nobel Prize laureates Czesław Miłosz and Wisława Szymborska, the novelist Tadeusz Konwicki and the poet Tadeusz Różewicz.
After the Kielce pogrom in July 1946, the taboo topic of anti-Semitism’s rise in postwar Poland was addressed by “Odrodzenie”. However, with the Soviets firm grip on power and Stalinism on the move, Kuryluk was quickly losing what had remained of his relative independence. In February 1948 he resigned from “Odrodzenie” and worked first in the literary section of the Polish Radio and later in publishing.
From April 1956 to April 1958 Kuryluk was Minister of Culture in the government of Józef Cyrankiewicz and used his term to liberalize culture, and to open it to the West. The French Institute opened in Warsaw (the first lecturer was Michel Foucault), theater and movie stars (Laurence Olivier, Vivien Leigh, Gérard Philipe, Yves Montand) came to visit and to perform; western books and films, avant-garde music and art became available, the first exhibit by Henry Moore was arranged. New galleries and publications sprung up all over the country and a group of young Wrocław journalists founded, but soon had to stop publishing, “Signals II”.
In the spring of 1957 Kuryluk was part of a government delegation headed by the Prime Minister Cyrankiewicz. The delegation was to tour Asia in order to lobby for the enlarged version of the Rapacki Plan that would suit the Soviets by creating a huge block of non-aligned countries, extending from East Berlin through Poland, Mongolia, India, China, Vietnam, Burma, and Cambodia. The delegation was received by Nehru, Mao Tse-Tung, Hồ Chí Minh and Prince Sihanouk, signed everywhere with meaningless declarations of friendship, and was a complete flop.
Towards the end of 1957 the Party (PZPR) began to stop the process of liberalization. The First Secretary Gomułka was against the generous scholarship program of the Ministry of Culture, sending thousands of Polish intellectuals and artists to the West. When the writer Marek Hłasko chose freedom in Paris, this was taken as a pretext to fire Kuryluk as minister of culture, and to get him out of the country as well.
In December 1958 Kuryluk was appointed ambassador of the People’s Republic of Poland to Austria. He arrived with his family on 1 January 1959 in Vienna and served until the summer of 1964.
A pacifist by nature, he stayed away from military action and was particularly active in saving Jews. He hid Peppa Frauenglas and her two sons in his own sublet room. In 2002 he was honored by Yad Vashem as Righteous Among the Nations of the World.[1]